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Concerts featuring Sol Gabetta in season 2024/25 or later
From the poetry and sensuality of Debussy’s Faun, and the expressive power of a landmark cello piece, to Mahler’s first great epic, this program showcases the versatile talent of the conducting world’s new prodigy.
»I wouldn’t have become a conductor if I hadn’t discovered the music of Wagner,« admits Tarmo Peltokoski, the 24-year-old rising star who will be Music Director of the Orchestre national du Capitole de Toulouse from September 2024. At his ProArte debut, the Finn, who has been hailed as the »talent of the century«, also conducts a programme that certainly has something to do with Wagner – without a single one of his works being performed. Whether Claude Debussy’s shimmering »Prélude à l’après-midi d’un faune«, Ernest Bloch’s oriental-influenced cello rhapsody »Schelomo« – a feast for star cellist Sol Gabetta – or the powerful First Symphony by Wagner fan Gustav Mahler: each of these works deals with Richard Wagner in its own way. A home game »around the corner« for Tarmo Peltokoski.
Cellist Sol Gabetta performs with Tarmo Peltokoski, the new principal conductor of the Orchestre national du Capitole de Toulouse. Peltokoski, a rising star conductor, credits Wagner's music for his career choice. The concert with Gabetta will have a connection to Wagner, despite not featuring any of Wagner's compositions.
What do Shostakovich’s First Cello Concerto and Bruckner’s Seventh Symphony have in common? That’s right: they both have the catalogue number 107 and – and this is the real point – the cello can be heard at the beginning. One could assume that the similarities end here. While Bruckner focusses on long melodic lines and vocal arches, Shostakovich is much more rhythmic. Nevertheless, both composers pursue the same goal: the expression of the greatest and most intense emotions. With Tugan Sokhiev and the Sächsische Staatskapelle Dresden, they are in the best of hands. With its unique sound – Herbert von Karajan compared it to the »lustre of old gold« – the venerable orchestra puts the two sound monoliths at the Elbphilharmonie in the perfect acoustic light. Star cellist Sol Gabetta provides the right pitch on the cello.
After the captivating command of Sol Gabetta in Shostakovich, Tugan Sokhiev turns to Bruckner’s spellbinding Seventh Symphony, whose unique lyrical charm is in the best of hands with the Dresden Staatskapelle.
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